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Chris Boucher tribute rewatch - D13 Blake
trevor travis
Aw, goodbye Slave!
Vote Og.
 
Brad

Tyce wrote: ↑

Vila finally gets to spend the night with two girls, and he’s not happy about it! LOL


Given that Avon is going mad, and that Tarrant had a tryst with Servie in Sand, and bragged about it, Vila is suddenly the most eligible bachelor on Scorpio.

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i.postimg.cc/VkSr4fwS/Fu-Z0Mn2.png
Cockatoo? What Cockatoo? I don't see a Cockatoo!
 
Travisina
Slave's dying speech doesn't have nearly the same affect on me as Zen's.
There is no point being grown up if you can't be childish sometimes
 
Brad

Travisina wrote: ↑

Slave's dying speech doesn't have nearly the same affect on me as Zen's.


We don't have the emotional attachment to Slave we had with Zen

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i.postimg.cc/VkSr4fwS/Fu-Z0Mn2.png
Cockatoo? What Cockatoo? I don't see a Cockatoo!
 
Tyce

Brad wrote: ↑

Tyce wrote: ↑

Vila finally gets to spend the night with two girls, and he’s not happy about it! LOL


Given that Avon is going mad, and that Tarrant had a tryst with Servie in Sand, and bragged about it, Vila is suddenly the most eligible bachelor on Scorpio.

Ha ha ha ha ha.
 
trevor travis
Vila on guard duty. What could go wrong?
Vote Og.
 
AnneArthur

Travisina wrote: ↑

Slave's dying speech doesn't have nearly the same affect on me as Zen's.


Oddly, I find it more moving, but I suspect that I'm alone in that.
 
Travisina

Tyce wrote: ↑

Brad wrote: ↑

Tyce wrote: ↑

Vila finally gets to spend the night with two girls, and he’s not happy about it! LOL


Given that Avon is going mad, and that Tarrant had a tryst with Servie in Sand, and bragged about it, Vila is suddenly the most eligible bachelor on Scorpio.

Ha ha ha ha ha.

Grin
There is no point being grown up if you can't be childish sometimes
 
trevor travis
Love how Michael plays this - there's nothing in the dialogue that connects Tarrant's disappearance with what happened in Orbit. But the way he asks the question suggests it's what Vila is thinking.
Vote Og.
 
Travisina

AnneArthur wrote: ↑

Travisina wrote: ↑

Slave's dying speech doesn't have nearly the same affect on me as Zen's.


Oddly, I find it more moving...

Interesting. Why do you think that is?
There is no point being grown up if you can't be childish sometimes
 
Travisina

trevor travis wrote: ↑

Love how Michael plays this - there's nothing in the dialogue that connects Tarrant's disappearance with what happened in Orbit. But the way he asks the question suggests it's what Vila is thinking.

Oh yes. He has no time for Tarrant, but would still not throw him out of an airlock, which is what he assumes Avon has done. And Avon doesn't reply...
Edited by Travisina on 21-12-2022 20:20
There is no point being grown up if you can't be childish sometimes
 
AnneArthur

Travisina wrote: ↑

AnneArthur wrote: ↑

Travisina wrote: ↑

Slave's dying speech doesn't have nearly the same affect on me as Zen's.


Oddly, I find it more moving...

Interesting. Why do you think that is?


I think perhaps I always felt that Slave had more of a personality - like ORAC. Zen always seemed more computer to me.
 
Tyce
Vila might be a scaredy-cat, but he’s not stupid.
 
Travisina

AnneArthur wrote: ↑

Travisina wrote: ↑

AnneArthur wrote: ↑

Travisina wrote: ↑

Slave's dying speech doesn't have nearly the same affect on me as Zen's.


Oddly, I find it more moving...

Interesting. Why do you think that is?


I think perhaps I always felt that Slave had more of a personality - like ORAC. Zen always seemed more computer to me.

Zen was certainly more alien. But he was part of the family, one of Blake's original Seven.
There is no point being grown up if you can't be childish sometimes
 
trevor travis
A new dawn - the last they'll see!
Vote Og.
 
Travisina

trevor travis wrote: ↑

A new dawn - the last they'll see!

They don't know that, though...
There is no point being grown up if you can't be childish sometimes
 
AnneArthur

Travisina wrote: ↑

AnneArthur wrote: ↑

Travisina wrote: ↑

AnneArthur wrote: ↑

Travisina wrote: ↑

Slave's dying speech doesn't have nearly the same affect on me as Zen's.


Oddly, I find it more moving...

Interesting. Why do you think that is?


I think perhaps I always felt that Slave had more of a personality - like ORAC. Zen always seemed more computer to me.

Zen was certainly more alien. But he was part of the family, one of Blake's original Seven.


But as I started watching at the beginning of series 3, that didn't have so much of an effect on me.
 
M1795537OCVirn

AnneArthur wrote: ↑

Travisina wrote: ↑

Slave's dying speech doesn't have nearly the same affect on me as Zen's.


Oddly, I find it more moving, but I suspect that I'm alone in that.



Is it because Slave is talking mostly to himself? Itself.
"You're not sulking, I hope?"
 
trevor travis
And yes, in terms of the drinking game, Jenna counts. She's reported dead by someone who knew her and there's no contradictory evidence.
Vote Og.
 
Travisina

AnneArthur wrote: ↑

Travisina wrote: ↑

AnneArthur wrote: ↑

Travisina wrote: ↑

AnneArthur wrote: ↑

Travisina wrote: ↑

Slave's dying speech doesn't have nearly the same affect on me as Zen's.


Oddly, I find it more moving...

Interesting. Why do you think that is?


I think perhaps I always felt that Slave had more of a personality - like ORAC. Zen always seemed more computer to me.

Zen was certainly more alien. But he was part of the family, one of Blake's original Seven.


But as I started watching at the beginning of series 3, that didn't have so much of an effect on me.

Ah, that makes sense now! Grin
There is no point being grown up if you can't be childish sometimes
 
Brad

trevor travis wrote: ↑

And yes, in terms of the drinking game, Jenna counts. She's reported dead by someone who knew her and there's no contradictory evidence.


Sally has a differing opinion.

Sally: I'm not dead. Who said I was dead?
Interviewer: Blake
Sally: waves a dismissive hand What does he know.

.
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i.postimg.cc/VkSr4fwS/Fu-Z0Mn2.png
Cockatoo? What Cockatoo? I don't see a Cockatoo!
 
trevor travis
If you think about the structure of this episode now, it's unusual. There's less than 10 minutes to go and it feels that we're not even mid-story. It's a clue that it will end very suddenly...
Vote Og.
 
Travisina

trevor travis wrote: ↑

And yes, in terms of the drinking game, Jenna counts. She's reported dead by someone who knew her and there's no contradictory evidence.

But no proof, either.
There is no point being grown up if you can't be childish sometimes
 
Brad

trevor travis wrote: ↑

If you think about the structure of this episode now, it's unusual. There's less than 10 minutes to go and it feels that we're not even mid-story. It's a clue that it will end very suddenly...


I recall the first time I saw this in about 1985, looking at my watch and thinking, How are they going to wrap this up in five minutes?

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i.postimg.cc/VkSr4fwS/Fu-Z0Mn2.png
Cockatoo? What Cockatoo? I don't see a Cockatoo!
 
trevor travis

Brad wrote: ↑

trevor travis wrote: ↑

And yes, in terms of the drinking game, Jenna counts. She's reported dead by someone who knew her and there's no contradictory evidence.


Sally has a differing opinion.

Sally: I'm not dead. Who said I was dead?
Interviewer: Blake
Sally: waves a dismissive hand What does he know.


She's not in the episode, though. Blake is!
Vote Og.
 
AnneArthur

M1795537OCVirn wrote: ↑

AnneArthur wrote: ↑

Travisina wrote: ↑

Slave's dying speech doesn't have nearly the same affect on me as Zen's.


Oddly, I find it more moving, but I suspect that I'm alone in that.



Is it because Slave is talking mostly to himself? Itself.


Perhaps. Perhaps also because it's the first time he addresses someone by name, rather than saying 'Sir' or 'Master'?
 
Travisina

trevor travis wrote: ↑

If you think about the structure of this episode now, it's unusual. There's less than 10 minutes to go and it feels that we're not even mid-story. It's a clue that it will end very suddenly...

It adds to the disconcerting feeling one has when watching. We're kind of instinctively used to the '3-act' structure of stories / eps, and this still feels like early Act 2.
There is no point being grown up if you can't be childish sometimes
 
trevor travis

AnneArthur wrote: ↑

Travisina wrote: ↑

AnneArthur wrote: ↑

Travisina wrote: ↑

AnneArthur wrote: ↑

Travisina wrote: ↑

Slave's dying speech doesn't have nearly the same affect on me as Zen's.


Oddly, I find it more moving...

Interesting. Why do you think that is?


I think perhaps I always felt that Slave had more of a personality - like ORAC. Zen always seemed more computer to me.

Zen was certainly more alien. But he was part of the family, one of Blake's original Seven.


But as I started watching at the beginning of series 3, that didn't have so much of an effect on me.


Series C is where I started too!
Vote Og.
 
Brad

Travisina wrote: ↑

trevor travis wrote: ↑

And yes, in terms of the drinking game, Jenna counts. She's reported dead by someone who knew her and there's no contradictory evidence.

But no proof, either.


Off screen deaths in sci fi aren't. Heck, Blake was reported dead by an equally credible witness.

And Blake was sure Travis was dead..... Not so credible after all.

.
.

i.postimg.cc/VkSr4fwS/Fu-Z0Mn2.png
Cockatoo? What Cockatoo? I don't see a Cockatoo!
 
Levitatingkeyboard

trevor travis wrote: ↑

Avon might think he's a psychopath, but I'm not convinced. Stressed, immoral, self-serving, yes.

But there's only psychopath and she's not in this episode.



Never a truer word spoken
 
Tyce
I never understand why they trusted Arlin after she tried to dob Blake in.
 
trevor travis
Here we go...
Vote Og.
 
Brad
The look on Avon's face, as if he's wondering who fired those shots.

.
.

i.postimg.cc/VkSr4fwS/Fu-Z0Mn2.png
Cockatoo? What Cockatoo? I don't see a Cockatoo!
 
Travisina

AnneArthur wrote: ↑

M1795537OCVirn wrote: ↑

AnneArthur wrote: ↑

Travisina wrote: ↑

Slave's dying speech doesn't have nearly the same affect on me as Zen's.


Oddly, I find it more moving, but I suspect that I'm alone in that.



Is it because Slave is talking mostly to himself? Itself.


Perhaps. Perhaps also because it's the first time he addresses someone by name, rather than saying 'Sir' or 'Master'?

Is it really the first time?! I never noticed that.
There is no point being grown up if you can't be childish sometimes
 
Tyce

I’m scared.
 
trevor travis
Avon and Blake are idiots!
Vote Og.
 
Travisina
Those sirens. No music, just fx. And that scary siren.
I'm going quiet now. See you on the other side.
There is no point being grown up if you can't be childish sometimes
 
trevor travis

Travisina wrote: ↑

AnneArthur wrote: ↑

M1795537OCVirn wrote: ↑

AnneArthur wrote: ↑

Travisina wrote: ↑

Slave's dying speech doesn't have nearly the same affect on me as Zen's.


Oddly, I find it more moving, but I suspect that I'm alone in that.



Is it because Slave is talking mostly to himself? Itself.


Perhaps. Perhaps also because it's the first time he addresses someone by name, rather than saying 'Sir' or 'Master'?

Is it really the first time?! I never noticed that.


It is the first time. He calls him 'Tarrant'.
Vote Og.
 
M1795537OCVirn

trevor travis wrote: ↑

Brad wrote: ↑

trevor travis wrote: ↑

And yes, in terms of the drinking game, Jenna counts. She's reported dead by someone who knew her and there's no contradictory evidence.


Sally has a differing opinion.

Sally: I'm not dead. Who said I was dead?
Interviewer: Blake
Sally: waves a dismissive hand What does he know.


She's not in the episode, though. Blake is!



Look, if you want another drink, just have one.
"You're not sulking, I hope?"
 
AnneArthur

Travisina wrote: ↑

trevor travis wrote: ↑

If you think about the structure of this episode now, it's unusual. There's less than 10 minutes to go and it feels that we're not even mid-story. It's a clue that it will end very suddenly...

It adds to the disconcerting feeling one has when watching. We're kind of instinctively used to the '3-act' structure of stories / eps, and this still feels like early Act 2.


But then suddenly we know what Blake is doing, and it all makes sense, and we begin to see how it's all going to work out, but then . . .
 
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